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Thursday, December 20, 2018

'An Analysis of the Contemporary Hollywood Film The Avengers Essay\r'

'In this picture of The Avengers, a recent react’s superhero blockbuster, we exit be discussing a few of this involves’ impression accounts that atomic number 18 representative of contemporary Hollywood film. The Avengers is a 2012 Ameri stooge superhero film that was produced by Marvel Studios and distributed by Walt Disney Studios exploit Pictures. It is based on the Marvel Comics superhero team of the uniform name. The Avengers is the sixth installment in the Marvel cinematic Universe.\r\nThe film is directed by Joss Whedon and features an ensemble switch that includes Robert D acceptey Jr., Chris Evans, ready Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Tom Hiddleston, Clark Gregg, Cobie Smulders, Stellan SkarsgÃ¥rd and Samuel L. Jackson (Neumaier). In the film, break away Fury, the director of the peacekeeping organization S.H.I.E.L.D., recruits weightlift Man, schoolmaster America, the Hulk, and Thor to form a team that must stanc h Thor’s adoptive br early(a) Loki from defeating Earth in an stranger invasion with the aid of a unfathomed alien cube weapon known as the tesseract.\r\nThe team has to learn to work out their problems, twain personal and within the group, and band together and let off the world, which proves to be extremely difficult as the moving picture progresses. In this analysis of The Avengers I will be discussing the following film muniments of lead study actors; character compulsive stories; how the film takes place in a known, quintessential, Ameri fecal matter, veritable world setting; and how the film follows a particular proposition genre look. â€Å"For all the many an(prenominal) strengths of â€Å"The Avengers,” there’s nonp aril important element that writer-director Joss Whedon rat’t take credit for: the casting.\r\nOf the main characters, only iodin, Mark Ruffalo as Bruce Banner/The Hulk, hasn’t appe atomic number 18d in supers tar of the previous five Marvel word-paintings that have take to this point. Of course, for the most part, it’s to be expected: bandage there are a few newcomers in the mix, the principle cast have close to a vitamin C of experience in the movies amongst them, and non-finite great performances in their back catalogs” (Scott). The film narrative of star actors is a very prominent cyclorama in this movie.\r\nThe Avengers is a movie with one(a) of the biggest collections of star actors since the ascendant of the contemporary Hollywood cinema era. any main character in this film can be and is considered a star actor. From Robert Downey Jr. who plays Iron Man, the rich, playboy, genius, to Scarlett Johansson who plays as The Black widow, a special ops spy, to Samuel L. Jackson, who plays as Dr. Nick Fury, the leader of the team. In a movie alike this, having star actors is a crucial compute in the films success.\r\nBy having these star actors in The Avengers, the y achieved the fan bases of apiece individual actor on gratuity of the fan base already revolving approximately the story line and the comics. Because of this, The Avengers has the third highest worldwide grosses made so far, coming in at $1,511,757,910 (Marvel’s). The only primer coat that this movie was such a success was collectible to it world a very character compulsive story. Each individual character had their own input signal in how the storyline progressed. They are all connected, all the same also independent throughout the movie. In the beginning of this film the director made sure to centering on each individual character originally intertwining them all. Due to Loki stealing the tesseract, Dr.\r\nFury decides that its time to decree the Avengers program. So Phil contacts Natasha, aka The Black Widow, while she is working undercover, which introduces us to her character and some background information just about her. He sends her to go find The Hulk in India, where he’s been hiding out, so that she can â€Å"recruit” him. This then introduces us to his story and starts the intertwinement between the individual characters. The succeeding(a) hero to be introduced is headman America. Dr. Fury himself goes to â€Å"recruit” the captain and we are shown a preview of where he’s from and some of his backstory. The next character to be initiated is Tony grievous, aka Iron Man, and my personal favorite.\r\nThe shaft starts of with him and his girlfriend Pepper opening up the Stark tower with clean energy, when Phil comes to recruit him as tumesce. each(prenominal) of the Hero’s, except for Thor, are introduced to each some other when Loki attacks a crowd in Germany and they defeat and apprehend him.\r\nOn the plane ride back to base, Thor captures Loki from the liberalisation of the team, introducing his character and the relationship and background between the two brothers. The beginning of t he movie is only one of the many examples of how this film is a character driven story. It goes into ofttimes further detail and continues to intertwine even more than as the movie progresses.\r\nThe next film narrative that was represented in The Avengers was how the film takes place in a known, quintessential, American, real world setting. Ever since folk 11th 2001, Hollywood has been portraying the United States being attacked once more in many of their films, whether by terrorists or by alien invaders like in this movie.\r\nâ€Å"These movies are reflecting a need to look back at why these other events started, to show American muniment in a more heroic lower when it looks quite dark now” (Sánchez-Escalonilla). The last eviscerate of this movie is based in Manhattan, modernistic York, one of the same cities as the 9/11 attacks. It revolves around an alien invasion destroying the urban center and killing hundreds of people, which can be representative of the 9/1 1 attacks. By the end of the movie, the Avengers, and specifically Iron man, save the city from both the alien attack and also from our own country bombing it with a nuke by guiding the nuke into space and destroying the invading alien army.\r\nMany people believe that these ending scenes are representative of the statement above how â€Å"American register is shown in a more heroic glitter” (Sánchez-Escalonilla), due to the heroic actions of the Avengers and the countless lives that they saved by protecting the city and eliminating the alien invaders. The last film narrative that I noticed in The Avengers was that this film follows a very specific genre decree of a classic, action filled Superhero movie.\r\nâ€Å"Marvel’s The Avengers is awesomeness squared. It’s the apotheosis of the modern age of comic-book superhero movie, the epitome of everything that Iron Man, Hulk, Captain America and Thor were and were trying to be” (Greydanus). The Avenger s is the first movie to combine all of the dissimilar Marvel’s Comic’s superheroes into one intense, action packed film.\r\nThis movie was so well thought-out and planned that certain characters were mentioned and even appeared in other hero’s movies and at the end of each specific hero’s movie, there was a scene that connected them all to The Avengers. This movie is one of a kind and redefines the genre of the â€Å"superhero” film. â€Å"The Avengers makes superhero movies new again” (Neumaier). In conclusion, this film is a great example of the contemporary Hollywood film of our time.\r\nThe Avengers symbolizes all of the surmount film narratives of our era, such as Star Actors, like Robert Downey Jr., character driven stories, how the film takes place in a known, quintessential, American, real world setting, like New York, and how the film follows a specific genre formula of being a â€Å"Superhero movie.” This film is going to be considered a classic and a twenty-first century treasure, in the same way that Singing in the Rain, The Godfather, Grease and The Wizard of Oz are considered of their film eras.\r\n full treatment Cited\r\nGREYDANUS, STEVEN D. â€Å"‘The Avengers’ Takes the Superhero Genre to Whole New Level.” NCRegister. EWTN News, n.d. Print. 08 May 2013.\r\nâ€Å"Marvel’s The Avengers (2012) †Box Office Mojo.” Marvel’s The Avengers (2012) †Box Office Mojo. N.p., n.d. Web. 07 May 2013. .\r\nNeumaier, Joe. â€Å"Movie suss out: ‘The Avengers” Daily News [New York] 30 Apr. 2012: 16-17. Print. 08 May 2013.\r\nSánchez-Escalonilla, Antonio. â€Å"Hollywood And The Rhetoric Of Panic: The Popular Genres Of body process And Fantasy In The Wake Of The 9/11 Attacks.” Journal Of Popular Film & television set 38.1 (2010): 10-20. Print. 08 May 2013.\r\nScott, A. O. â€Å"Robert Downey Jr. in ‘The Avengers,’ Direct ed by Joss Whedon.” NYTimes.com. New York Times, 03 May 2012. Web. 07 May 2013. .\r\n'

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